See You at the Crossroads
I have started a new job, one that I’m genuinely happy to be endeavoring on. Of course, this means changes to my routine, and every routine change prompts me to think about what is important in my life. Because I have so many interests, I have to figure out how much time I’m going to devote to them, although these choices aren’t usually consciously made. That’s…a problem, actually.
Photography is one of my interests, but it’s not the only one. I tend to take on very demanding goals when I pursue a hobby, and taking pictures is full of those types of goals. So is writing. So is running. Lately, photography is where I’ve made the most headway. On the one hand, this is a good thing in light of next year’s plans. On the other hand, this headway is coming at the cost of slacking in my other interests.
I entered Adoramapix’s Your Best Shot 2015 contest and (surprisingly) got into the Top 100 with a shot that I didn’t hold in super high regard. In previous years, I’ve made my initial selections and then asked for feedback from people on my Facebook friends list. This time around, I hard some major difficult in whittling it down to less than 10 photos. I called upon a couple of photo-happy friends to narrow down a 30 photo list before I presented the selections to people on Facebook. They listed their top ten picks, and I grabbed the photo names that appeared on both lists. The results surprised me.
In previous years, I’ve gone with close-ups of flowers or machines in bright sunlight. These subjects have become my wheelhouses, if you will. What I found safe and appealing, though, was not unanimously liked by my photographer friends. Though close ups were still dominant in the selections, the lighting and subjects all vastly differed from each other. In that mix was an ultralow light shot I snagged in the Twin Cities Model Railroad Museum in January 2014. I still need to blog about that visit, but the point is one of those shots appeared on both lists. It was also near the top, to boot. I ended up selecting six photos to share on Facebook for more general feedback. While three of them were well liked, that railroad museum shot quickly became a favorite. Even though the ISO was jacked so high that noise was a bit of a problem, I decided to go with the feedback and enter that photo.
What you see there is my entry, and that photo has gotten further than anything I’ve entered in a photo competition (and a national one, to boot). For me, it was a huge risk. I had no choice but to edit it to reduce the noise, but I made sure I spent no more than ten minutes making noise reduction/color corrections. While I didn’t get any further, it showed me I have reached a major point in my photography evolution. I have shown I can hold my own in photography competitions (even with a lower end DSLR and a kit lens). There is still plenty to learn, but I now see that I just might have a chance to make something of all the photography work I’ve done throughout the years.
At this point, the question becomes what do I do in terms of going further with photography and entering competitions? Do I want to try to diversify my subjects to get further in competition? Diversification in subjects is going to mean practicing people photography more frequently. I’m kind of doing this with sports photography so my Olympics photos look at least halfway decent. At its core, though, art (and photography) centers on triggering emotional responses, which is easier to do on a large scale with photos of people. As someone who is autistic, that is incredibly challenging. Hiking through ice caves with 50 pounds of gear sounds blissful compared to photographing other people. Portraits are not necessarily a strong point for me, and I’m not sure how much I can bring myself to practice that, anyhow. Street photography is more suited to my spontaneous approach to photography, but not having a solid grasp on the legal implications makes that a bit tough to swallow at the moment.
My instinct is to improve from a technical standpoint. This means seeking out more challenging lighting situations, such as nights, sunrises/sunsets, action in low light, and lots of other scenarios. It also means more gear grappling. I’ll probably need to bring my tripod around more as well as invest in a a remote shutter release device. I’ve already started pricing out the latter, but getting in the habit of juggling the former is going to take time. I’m not used to it. On top of that, figuring out how well that all works with an older Tamron lens is going to be an annoyance for the ages. I will most likely have to break down and buy at least one new Nikon lens to resolve the autofocus compatibility issues I’m having. Right now, my reflexes are not quick enough to execute manual focus on action shots (although I have been trying my hand at that lately with somewhat mixed results).
I have goals, and I know what needs work. That’s about the easiest part of determining what to do abot photography in the short and semi-long term. The question is what I ought to be doing with a schedule that is getting increasingly intense. I am motivated to bring my mile time down, and the training needed will be longer and more intense in the next few months. Work is also going to be a very long learning process (although it feels strangely okay right now). With writing, I have a novel project planned since I don’t have a full novel to my name. That’s about the only thing I haven’t done writing-wise. It looks like photography may have to kick back a little bit in 2015. That almost makes sense considering how much time I devoted to it last year and will be devoting to it next year. I just hope I can maintain the skills I have.